110FRAMES
What would happen if, after watching a film, we could rearrange the images? What criteria would we use? The workshop "110 FRAMES" explores the different structures of meaning that emerge by displacing images from their original sequence.
"We like to think that, along with the viewer, we are all accomplices in how we have shaped the world.
Observation is never a passive reception; it is a practice of comparison, interpretation, and deviation. No image can be considered a representation in itself, as it is always involved in relationships of interdependence, where the viewing of one determines the interpretation of another.
Often, the interaction between filmic, personal, and collective images is unconscious, and we may not perceive the moment when our personal images merge into those of the film or remain as a personal memory.
Film: "Detachment" by Tony Kaye (2011)
Materials
110 Images approximately 6x8cm
2024
Academy of Fine Arts, Florence (IT)
Workshop graphic design
2023
Mohole School, Milano (IT)
Course Filmmaking, Storytelling, Regia, Musica
(C) 2023 design Alice e Paolo