What would happen if, after watching the film, we could rearrange the images? What criteria would we use? The 110 FRAMES workshop explores the various structures of meaning that arise by displacing the images from their original sequence.
Participants will engage in work, starting from an alphabetical structure, on creating simple yet communicative illustrations. It's a stylistic exercise that aims to reflect on the possibilities of representing individual objects.
The photo strikes me if I remove it from its usual chatter. Referring to Roland Barthes' concept of Punctum, the OHHH workshop focuses on the level of attention we typically pay to images.
Imagine a two-dimensional world and craft a story by personifying the elements at your disposal: 10 black rectangles / 10 white circles / 10 red squares.
The goal is to create a variety of textures for circular stickers. The stickers, with a diameter of 3cm, were to be designed in color, using only one color for each sticker.
The Visual Storytelling workshop centered around a story by Edgar Allan Poe, aiming to create a new narrative starting from an excerpt from "The Murders in the Rue Morgue."
The workshop focused on the ability to connect different images and how they could be used to create a unique and unrepeatable image through the collaboration and collective creativity of participants.
What strange characters and objects hide in simple forms? Capture them without being discovered, personalize them to bring them to life, and above all, don't let them escape!